Alix GHANADPOUR
PORTFOLIO
Error
L'Arménienne
Alix GHANADPOUR
Autoportrait
Alix GHANADPOUR
L'Immortel
Alix GHANADPOUR
Inaccéssible
Alix GHANADPOUR
La Spirale
Alix GHANADPOUR
Les Trois Grâces
Alix GHANADPOUR
Les Vengeresses
Alix GHANADPOUR
BIO
Alix Ghanadpour (alias Glaparse) was born in 1969 in Teheran.
He works and lives Paris.
Exhibits:
Galerie VivoEquidem, "J'ai mal ! J'ai peur !", (collective, 2016), Paris.
ST-ART, foire européenne d'art contemporain (collective, 2015), Strasbourg.
France Inde Karnataka, "Child care for all", sells by PIASA (collective 2015), Paris.
Galerie Elizabeth Couturier, "De l'apparence", (collective 2015), Lyon.
Galerie Elizabeth Couturier, "Silent of the flesh", (personnelle 2015), Lyon.
Atelier 3113, gravure, (collective 2013), Paris.
Galerie Abyssinie (collective 2009), Paris.
Espace Art et Liberté, (collectives 2006, 2007), Charenton.
Les Invalides (collectives 2005, 2007), les peintres de l'Armée, Ministère de la défense, Paris.
Espace Culturel Luxembourg (groupe 2005), Meaux.
Le Hublot (personnelle 2004), Ivry-sur-Seine.
MCA, salon international du monde des Arts et de la Culture (2002), Cannes.
Joel Garcia Organisation, GMAC (collective 2002) Quai Henri IV, Paris.
Espace Mezzara (personnelles 2002, 2003), Ministère de l' Éducation Nationale, Paris.
Collections :
Fondation Francès (2015).
ABOUT HIM
Alix Ghanadpour is a world apart in contemporary painting.
Alix Ghanadpour est un cas à part dans la peinture contemporaine.
The painter uses all the singular elements of a Caravaggio, a Titiano or a Zurbaran that he adulates to the most point. He tranfers them on his paintings where the deviances are highlighted.
"L’Immortel", one of his iconoclastic composition, sings to us the little song of our time. The painting hits a sensitive issue: the pride of the national body is hurt. The unbearable image referes to the events that took place in Guantanamo...The mecanism of torture is subtly evoked.
The human comedy takes place in front of us, becoming a tragedy in the artist's eyes, and creates a feeling of uneasiness, mixed with a strange fascination.
Il faudra probablement attendre l’Apocalypse
